Sebastiano Ricci(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. | |||
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Gemaldezyklus zum Leben Papst Paul III., Szene: Papst Paul III. beseelt vom Glauben an das okumenische Konzil. Pintura Identificación:: 71690 Vea nuestra galería en Suecia |
Gemaldezyklus zum Leben Papst Paul III., Szene: Papst Paul III. beseelt vom Glauben an das okumenische Konzil. 1687-1688 Oil on canvas 120 x 180 cm 1687-1688 _ _Oil_on_canvas _ _120_x_180_cm |
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Hl. Helena findet das Heilige Kreuz, Entwurf Pintura Identificación:: 74702 Vea nuestra galería en Suecia |
Hl. Helena findet das Heilige Kreuz, Entwurf 1732 - 1734 Oil on canvas 84 X 35 cm cjr 1732_-_1734 _Oil_on_canvas 84_X_35_cm_ cjr |
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Esther vor dem persischen Konig Ahasver Pintura Identificación:: 74871 Vea nuestra galería en Suecia |
Esther vor dem persischen Konig Ahasver 1733-1734 Oil on canvas 47 X 33 cm cjr 1733-1734 _ Oil_on_canvas _ _47_X_33_cm_ cjr |
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Furbitte Papst Gregor des Groben bei Maria Pintura Identificación:: 75016 Vea nuestra galería en Suecia |
Furbitte Papst Gregor des Groben bei Maria 1700 Oil on canvas 358 X 188 cm cjr 1700 _ Oil_on_canvas _ _358_X_188_cm_ cjr |
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Entwurf Pintura Identificación:: 76237 Vea nuestra galería en Suecia |
Entwurf Date 1732 - 1734 Medium Oil on canvas Dimensions Deutsch: 84 x 35 cm cyf Date_1732_-_1734 _ Medium_Oil_on_canvas _ Dimensions_Deutsch:_84_x_35_cm_ cyf |
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| Sebastiano Ricci | ||||||||||
| (1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. | ||||||||||
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